H
aving written and received back my first-ever stylistic analysis, on Terence’s comedic play Eunuchus, I have now put it up for your malefit and displeasure, with a few edits. People who cordially dislike metre, I hope to hear a collective groan from all of you, because I mention it more than in passing. 
Nevertheless, I shall keep it here for the record. Of course, if you are genuinely interested you’re welcome to read and comment. Enjoy (or not, as the case may be)!
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