Cantonese folk metal (e.g. for some of the psalms) with tunes created in the tradition of Naamyam and Cantonese opera. The electric guitar or electric gaohu or whatever can carry the tones of Cantonese speech if itʼs not clean vocals. Also, pipa riffs.
Sino Deco architecture. Just think about the possibilities. This could take 19th-century Seiyap architecture and 20th-century Hong Kong vernacular, as well as classical Lingnan architecture, into fascinating places, in parallel with Shanghai’s developments, and it would really fit Guangdongʼs place within China as a centre of international trade and cultural exchange since the Ming and Qing dynasties.
(I’m trying to contain my excitement at the thought of an airport with a Deco dragon wall. Nine dragons for Kowloon 九龍.)
Cantonese embroidery turned to the making of church altar frontals. Imagine how Lingnan articulations of Christian imagery could go, especially in the use of plant and animal symbolism with important Chinese characters in worm-style seal scripts from the ancient Chu state used as sacred monograms along with the Chi-Rho – or IC XC NIKA (‘Jesus Christ conquers’) in Chinese. These could be powerful textiles expressing the idea of Paradise and Godʼs victory over evil.